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Watch The Towering Inferno Movie Online

Thursday, December 10th, 2009
Watch The Towering Inferno Movie Online. Watch The Towering Inferno Movie Online.

Movie Title: The Towering Inferno
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I saw this movie when I was impartial 16 in 1974. It made a large impression on me then - that such a vast, absorbing movie could even be made. Now - in 2009 - we salvage the first hi-def home video version of this film on Blu-ray disc. Let me impartial say - Fox did a enormous job! The detail is all there - along with the luminous 70s colors (check out Fred Astaire's taxi approach the beginning for elegant solid yellow), and, of course, the huge John Williams gain. All of the extras from the DVD special edition have been ported over as well. Fans of this movie should be cheerful with this novel edition.

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Sure, the movie is dated, somewhat overlong, and the acting a bit wooden - but as shear spectacle (and 70s kitsch) - it kept this viewer eager. Another thing that is very refreshing - sincere models for the special effects work. Some of these models were built 70 feet high in order to ensure realism. If this movie were remade today - I'm shrinking it would suffer from overuse of CGI effects (such as in the novel _Poseidon_.)

One other mark - the opening menu on the Blu-ray disc is not to be missed. Someone worked really hard on creating a menu that honors the film. Let the disc ride up naturally without clicking ahead. A very nice touch.

Coming off of the titanic success of THE POSEIDON ADVENTURE in 1972, a film that kick-started the difficulty movie craze of the 1970s, producer Irwin Allen state out to bring his next movie to 20th Century Fox, a film dealing simply with a fire breaking out in a high-rise building bulky of people. The film was originally going to be based on the 1973 Richard Martin Stern recent, THE TOWER, a work that Allen felt would be the perfect basis for his unusual movie. Unfortunately though, as multiple studios began rushing their enjoy danger films to market, Allen lost out on the grunt for the rights to THE TOWER to Warner Brothers studio. He was able to come by the rights to an eerily similar book though, 1974's THE GLASS INFERNO, written by Thomas N. Scortia and Frank M. Robinson. Today we are faded to seeing studios rushing to regain their version of a specific grief based film to the theatre before their rivals, filling the cineplex with movies with almost identical premises. Contemplate about the battle of the "asteroid hitting Earth" movies in 1998 between ARMAGEDDON and DEEP IMPACT, or the "volcano erupting in an unexpected state" head-to-head the previous year between DANTE'S PEAK and VOLCANO. Allen knew that having identical properties in development at both Warner and Fox would demolish up having an adverse achieve on both of the films at the box office, so in an unprecedented disappear, Allen was able to execute a joint venture between the two studios, combining both of their projects and creating one mega-film. The result was THE TOWERING INFERNO in 1974.

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By today's action movie standards, with posthaste fire cuts and a blaring soundtrack aged to intensify the action, and with tons of CGI, THE TOWERING INFERNO seems tame, and can honestly seem to be, well, dreary to a unusual audience. The fact is though, the film needs to be looked at for exactly what it is. Upright, there is no hit song to underscore the dilemma of the main characters, and the scenes do go on for seemingly forever, but looking at what the movie is, and especially comparing it to other similar films in the genre at the time, the film does absorb up remarkably well. This is due primarily to two very distinctive aspects: the cast that Irwin was able to assemble and the stunt work on point to.

The cast of THE TOWERING INFERNO is not what you would typically accept in a danger film. It is chock-a-block chunky of Hollywood A-listers, with Steve McQueen and Paul Newman, two of the biggest stars of the day, sharing the bill. But it doesn't end there. The cast also includes William Holden, Fred Astaire, Robert Vaughn, Faye Dunaway, Richard Chamberlain, Robert Wagner, Jennifer Jones and yes, a pre-incarcerated O.J. Simpson. Even Bobby Brady is in the film. While the casting alone is a juggernaut of star power, the acting is actually solid. While distinguished has been made about the battle between Steve McQueen and Paul Newman for veil dominance, and who came across as more macho, the fact is, their performances are not swallowed up by the special effects of the film. Allen allowed the acting to co-exist along with the action, even hiring a separate director, John Guillermin, to handle the scenes with dialogue, while Allen himself helmed the action sequences. The result is some genuinely well fleshed out acting moments. Fred Astaire is of course a cover epic and rightfully so, but his performance as the elderly con-man Harlee Caliborne has some staunch depth and tenderness to it, and the heart that Astaire would always imbue into his characters in the 30s and 40s is allowed to be seen here as well. Giving the actors the area to do what they do best, instead of using them as merely space dressing to map in viewers, is one of the strongest elements of THE TOWERING INFERNO, and helps to strengthen the film, giving it a believable realism and not letting it devolve into looking like nothing more than an expensive episode of "The Care For Boat."

The special effects of the film are second to none for the time, and the techniques primitive would go on to inspire a generation of filmmakers afterwards. It has to be remembered that this is long before the days of CGI, and whereas we may not even bat an stare seeing computer generated dinosaurs battling wizards in station on the hide today, in 1974, THE TOWERING INFERNO's action sequences are suspenseful and breath taking. Fair as in BACKDRAFT, the fire here is allowed to consume on the aspects of being a character itself, becoming the antagonist of the film. What must be highlighted though is the work of stunt coordinator Paul Stader who developed some extraordinary stunts and some of the most extraordinary pudgy burns seen on veil quiet to this day. There are no computer generated flames here, and no wirework for the stunt people. They were actually being spot on fire and then asked to jump through windows to complete a high plunge. This was stunt work at its finest, and watching the film for this alone is a pleasure.

The film is definitely fun to revisit to glance what a titanic budget Hollywood action flick looked like in a previous era. Costing an unprecedented $14 million, the film topped the $116 million brand for its tainted, marking it as a rousing success. Yes, the pacing is unimaginative, and the movie is map too long, but it is fun and I recommend picking it up and watching it. With a spacious cast, and wonderful visual effects and stunt work, you really can't go imperfect.

The Blu-ray release features extensive bonus features including: nine featurettes, scene specific commentary by fresh day special effects directors and stunt coordinators, audio commentary by a film historian, storyboard to film comparisons, the AMC documentary "Backstory: THE TOWERING INFERNO," vintage promotional materials and features including a 1977 interview with Irwin Allen, promotional material from THE POSEIDON ADVENTURE, interactive articles from "American Cinematographer" and a level-headed gallery. The materials here are exhaustive, and combing through all of them should be enough to write your dissertation on the film.
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